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See all results matching 'mub'. You have already rated this movie. Go to movie details. Users' Rating. Go watch this delightful culmination of four simple stories, simply told.
Reason: The director has very astutely chosen four brilliant stories of three great Bengali authors — Parashuram, Satyajit Ray and Saradindu Bandopadhyay, each capable of creating myriad images and emotions through a single sentence — and delivered these through some of the best actors in the Bengali film industry.
The result has been more than satisfactory. The four stories explored four different facets of human life. The first, Bateshwarer Abadan , is a masterpiece by Parashuram that tells the story of a popular novelist and how profoundly his literary creations affect the lives of his fans. The second and third, Dui Bondhu adapted from Kisohrilaler Bondhu and Kagtarua by Satyajit Ray, weave a sweet tale of friendship and a poignant tale of betrayal with a touch of the supernatural.
The last of the lot, Parikkha , is a romantic tale by master storyteller Saradindu Bandopadhyay. The director, with considerable help from cinematographer Sirsha Ray, has been successful in retaining the essence of all these literary masterpieces.
And that is quite an achievement, considering the fact that all the authors had written about a world we no longer live in.
The cast has worked together to create magic. He has different and accurate expressions for every situation and has the capacity to light up every scene he is in. Saswata Chatterjee is the only actor Sandip Ray has cast in two stories and, as usual, he never ever disappoints. Same can be said for Rajatava Dutta. That leaves us with Abir Chatterjee and Koel.
After so many years of acting under so many good filmmakers, her accent and diction still scream for improvement. Abir, however, is in his element as the charming and suave Binayak. He is convincing, adorable and makes the last story worth watching. Needless to say, the actor has come a long way from his Cross Connection days.
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Chaar Movie Review
Verdict: Four shorts filmed, each most-simplistically cultivating warmth while brushing past in succession. Chaar brings to the fore an anthology of the most-appreciated stories by prolific writers from the land of literature. The film is humble in tone and presentation, and makes up an ideal watch for family-viewing audiences. The cinematography induces warmth in visuals and is also hugely responsible for letting the audiences hook on to the stories, as if they were our own tales of mystery, bonding, cognizance and love. Bateshwar Sikdar is visited by three readers on different occasions, all persuading him to let Aloka live in the sequel.
Chaar: Film Review
They are journeys you can make to the far side of the universe and still be back in time for dinner. Sandip Ray picks four outstanding short stories by three renowned authors for his new film Chaar meaning four. Each story stands independent of the rest and explores different worlds, characters and incidents with the prized twist in the tale short stories are famous for. There is an element of excitement and heightened suspense in each story. Bateshwar-er Abadaan written by Parasuram deals with an arrogant writer both surprised and humbled by the deep impact his serialised novel has made on a young reader. Paran Bandopadhyay is excellent in a layered performance.
CHAAR (Bengali) Four-in-one delight